![]() They are perfect for use in a variety of settings, including in your home or office. Learn All about 5120x1440p 329 Borderlands 3 Backgroundsĥ120x1440p 329 Borderlands 3 Backgrounds are some of the most popular and widely used backgrounds in the world. This article will teach you everything you need to know about the new backgrounds and how to best use them. ‘Rainforest as Methodology’ is a worksheet to help students to think through, situate and inspire their artistic research practice using ideas from nature and ecology.The new 5120x1440p 329 Borderlands 3 Backgrounds are now available and you may be wondering what they are all about. On 20 April 2023, Cruda Collective (Laila Saber Rodriguez and Andrea Galano Toro) ran a workshop with students of the Bio Matters programme at AKI Academy, ArtEZ University of Arts. Rainforest as Methodology: Worksheet by Cruda Collective.Or to put it a bit less boldly, we invite you to get out of your bubble, engage in the debate, meet new people, discover new perspectives, and have a drink. Our wish is to create a space to ask probing questions, steer discussions and empower each other to face the future and our (artistic) role in it. We are not trying to change the world (but if that happens, cool!). Borderlands/La Frontera: The New Mestiza,ĪrtEZ Studium Generale curates and organises gatherings, talks, training courses, podcasts and publications about the state of the arts and its relation to today’s challenges, ranging from immediate societal issues to bold abstract concepts, from climate crisis to identity issues. Multiplicity, Inbetweeness, and the Question of Assimilation Multiplicity, Inbetweeness, and the Question of Assimilation () (99+) Networked Migrations: listening to and performing the in-between space | ximena alarcon – Networked Migrations: Listening to and Performing the In-Between Space. Software for People, Smith Publications/CreateSpace Pauline Oliveros (2005), Deep Listening, a Composer’s Sound Practice, iUniverse.The Order of Sounds, A Sonorous Archipelago, Urbanomic. (Pauline Oliveros Publications & Ministry of Maåt). Commentary Oliveros on the Extreme Slow Walk, from: Pauline Oliveros (1971), Sonic Meditations.PoP and MoM Publications (Pauline Oliveros Publications & Ministry of Maåt). Meditation number 5, ‘Native’, from: Pauline Oliveros (1971).The second part of this episode consists of a conversation with Ximena Alarcón on the notions of the in-between, sonic migrations, and the migratory experience, and reflections on the role of language in the presence and experience of self. This outward and inward journey results in embodied knowledge about, among other things, the nature of attention and concentration, our relation to our environment and our experience of self. Starting from the Extreme Slow Walk, an exercise in sonic awareness, they navigate a fluid in-between space, where conventional binaries like theory-practice, self-other, active-passive and subject-environment start to dissolve. They consider Oliveros’s Deep Listening practice from several theoretical perspectives, thereby taking into account that theory and practice are always closely intertwined in Oliveros’s work. In this third and final instalment, ‘Thinking with our Ears’, Joep Christenhusz returns to Ed McKeon and Ximena Alarcón, featuring Sharon Stewart as well. This reconnected her to the ground-breaking work of Audre Lorde, “Uses of the Erotic: The Erotic as Power”. In the second episode, Deep Listener® Sharon Stewart invited us to participate in embodied rituals of attention, a practice of listening to or sensing aspects of power and powerlessness in the world that surrounds us. Alarcón described the INTIMAL App© that she has developed over the last years. In part I researcher and music journalist Joep Christenhusz explored Deep Listening®, together with Ed McKeon and Ximena Alarcón, who are well-experienced deep listeners. We do so by providing backgrounds, practical listening exercises, and by exploring theoretical notions connected to Deep Listening. ![]() Listening to the In-Between we highlight different aspects of Pauline Oliveros’s Deep Listening® practice.
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